Tuesday, November 04, 2008

e-m@trix


Bassoonist Pascal Gallois performing "e-matrix" for bassoon and electronics. Friday 31st 2008 at Temple University's Rock Hall Auditorium.

Emiliano Pardo-Tristán and Pacal Gallois after the recital.



Emiliano Pardo-Tristán, Pascal Gallois and Sandra James.

Wednesday, September 17, 2008



Pascal Gallois Composition Call Winners

The American Composers Forum, Philadelphia Chapter is pleased to announce the winners of the Pascal Gallois bassoon composition call! Pascal Gallois has selected the following composers and compositions for the recital concert on October 31st:

Julia Alford-Fowler:
Trio

David Carpenter:
Three Myths

Paul Epstein: Prime Times 2

Joseph Hallman:
Tres Fabulitas

Chuck Holdeman:
Adage Fevrier

Heidi Jacob:
Quodlibet

Emiliano Pardo-Tristán:
e-m@trix

Melissa Pausina:
Beyond the Veil

Geoffrey Peterson:
Homage to Donald Erb

Concert will take place on October 31st at 7:30pm in Rock Hall Auditorium on the campus of Temple University (corner of Broad Street and Cecil B Moore Avenue).



Messiaen

Seminar in Music Theory
The Music of Elliott Carter and Olivier Messiaen
Thursday 25
4:55-6:35



Talk about "Liturgy of Crystal," first movement of "Quartet for the End of Time" by Olivier Messiaen.

For a Spanish analysis of this and other movements, please go to: SONANCIAS

Thursday, September 04, 2008

Presentation

SON-SONET

Premiere of Son-Sonet for two guitars by the Spanish guitar duet +Que2


Sunday, July 27, 2008

MATRIX

The Panamanian saxofonist Moisés Hernández premiered my piece MATRIX, for alto sax and electronics, on July 13, 2008, at the Contemporary Art Museum of Panama.

Beca de Post-doctorado

Publicado en el suplemento DíaD del Panamá América el 6 de julio de 2008.

Tuesday, July 22, 2008

SONANCIAS



SEMINAR
The Musical Language of Olivier Messiaen
July 7-13, 2008
Panama National Library
SONANCIAS
Ciclo Musical de Vanguardia


























































































































































































































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Talk with some of the performers of the 

"Quartet for the End of Time" 
Panama Premiere
12 July 2008
Panama National Library
María Inés Rodríguez (piano) and Graciela Núñez (violin)
Mario García Hudson (moderator)










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Olivier Messiaen (1908-1992)
QUARTET FOR THE END OF TIME
First Performance in Panama
13 July 2008
Panama Contemporary Art Museum





Wednesday, April 16, 2008

Microsonoridades

CUATRO MICROSONORIDADES
for guitar and piano

Michael Poll (guitar) and Edward Poll (piano)

Date:
Friday, April 18, 2008
Time:
7:30pm - 8:30pm
Location:
Amado Recital Hall, Irvine Auditorium (University of Pennsylvania)
Street:
3401 Spruce Street (N.W. Corner of 34th and Spruce)

Also works by:
Dowland, Bach, Villa-Lobos, Tansman, Ponce and Brouwer.

Free Admission

















Microsonoridades (Recording)

Friday, March 14, 2008


Ciclo Musical de Vanguardia

Te invitamos a visitar el nuevo blog SONANCIAS que este año está dedicado a celebrar el centenario del compositor francés Olivier Messiaen.

Sunday, February 17, 2008

After the performance of "Fantasía para Orquesta de Cuerdas." Temple Univeristy Symphony, conducted by Maestro Luis Biava.


With Maestro Luis Biava


With Venezuelan composer Manena Contreras and Maestro Luis Biava

Program Notes

Fantasy for String Orchestra was my first work for orchestra. Composed in 1998, it was premiered by the Panama National Orchestra under maestro Jorge Ledezma-Bradley in 2001, and performed again in 2007. The work is in sonata form, and has two contrasting themes. The first is energic, in octaves and with constanting meter changes. It was influenced by Olivier Messiaen’s palindromic rhythms, used in Dance of fury, for the seven trumpets, the sixth movement of the Quartet for the End of Time. The second theme features a melancholic melody "alla Piazzolla," played solo by the first violin at a slower tempo. Both themes, dance and song, develop into a ludic experiment of polyrhythmic patterns.
© 2008 Fermata Publications

Tuesday, January 22, 2008

TEMPLE UNIVERSITY SYMPHONY ORCHESTRA
Maestro Luis Biava, conductor

February 17, 2008
3:00 PM
Centenial Hall, Haverford School
Clare Semes,
violin
Mami Suetsugu, clarinet


PROGRAM

María Elena Contreras, Lumbre
Ernest Chausson, Poeme, Op. 25, for violin and orchestra


INTERMISSION

Emiliano Pardo-Tristán, Fantasía para orquesta de cuerdas
Claude Debussy, Premiere Rhapsodie for clarinet and orchestra
Georges Enesco, Rumanian Rhapsody No.1 in A Major, Op.11/1